If he had interfered then he could have been potentially saving lives. I think that Watson when immersed with these subjects he formed a friendship with, learning to really like some of them and he himself tries to stop some of his subjects from drinking because he wants to see the best happen for them. Outside, the sparrows on the roof Are chirping in the dripping rain.Rain in my heart; rain on the roof; And memory sleeps beneath the gray And the windless sky and brings no dreams Of any well remembered day. Critic Richard Brody (http://www.newyorker.com/culture/richard-brody/taking-it-off-for-the-holocaust) described it: Schindlers List features several of the most vulgar and repellent scenes ever filmed. "; How the world's oldest clove tree defied an empire, Why Royal Ballet principal Sergei Polunin quit, Tourists flock to 'Jesus's tomb' in Kashmir. The subjects are very vulnerable and Watson knew this, therefore ethical issues due to the interference of reality from Watson. There are so many implicit positives such as the awareness it gives people of the truth about alcoholism, its broadcasting the problems in society like a fresh scar, so audiences cant ignore or forget what they have learnt. Frank SinatraCycles 1968 Frank Sinatra Enterprises, LLCReleased on: 1990-01-01Producer: Don C. This sort of fly-on-the-wall documentaries and even reality tv shows have created are becoming more accepting of intruding on other peoples most intimate and private moments. Although uncomfortable to watch this shed some light if not clarity into the source of Vandas drinking. It was arguably and subtly manipulative how he often said would you like to carry on? as he was probably aware that the answer would be yes due to the state of the interviewees. I did not really feel that Paul Watson uses his characters, unless he tried to observe the process of drinking, or returning to the alcoholism after abstaining from it. The truth of this film is that it brings attention to parts of life that as a society we tend to stay quiet about and so by being a representation for people who go through something so scary, life changing and threatening it can never appear wholly ethical. It followed the treatment of four alcoholics in one NHS hospital in Kent (the only one that would let him in). It serves its purpose of portraying the realities of alcoholism, and at times may seem harsh, but in doing so creates an ugly truth that otherwise wouldnt be seen. Moreover, one can say that the subjects were exploited not only in the aforementioned scenes, but generally throughout the film. I felt it did a fantastic job in warning people of the dangers of alcohol and addiction. To illustrate, each of the documentary objects have had their own monsters in their heads, to my mind, they are in a sense weak or have a big weakness- alcohol, therefore Pauls use of characters (Vandas) confession about her monsters or at the same time the reasons why she might be came to drinking helps not only the filmmaker but us in getting closer to this unfamiliar woman and her story. Comments KNWYRRTS says Or when Nigel downs a glass of red wine. He had been in a coma for weeks after his intended sacrifice and showed no sign of waking up. (steering away from the public filming location of the hospital) and can we film them in such a vulnerable and dazed state? Nigel, 49, has been dry for ten years, but the damage he has inflicted on his liver is irreversible. I think theyre happy for the attention, to have someone to listen. Death is a very personal thing and is something that could be seen to be to real for TV viewing. Whilst considering the methods that Watson used to gain the footage and despite my previous comments being slightly negative, i do believe he was being somewhat ethical. This is followed by a sequence of Claire crying at his funeral and shots of the casket. I read an interesting article about this film posted on The Guardian, and a quote that stood out to me was Of the many powerful issues raised by the film, the one which occupied me most was this: are some things just too real to be captured on film?. Mutual-help groups are popular such as, Alcoholics Anonymous becaus, Alcoholics Anonymous In Nj Recoverycnt com, Weltpremiere des neuen Touareg live aus Peking. Stream "I've Got Rain In My Heart" by The Fresh Experience on desktop and mobile. When watching the film, there various moments where I felt Paul Watson over stepped the mark, and exploited his subjects. Explaining hell it is! Watson had to exploit his subjects in order to create such an amazing film. However, there is a clear relationship change when we see Watson come to Vandas house for the first time and through his camera both Watson and we, as the audience spectate that she is noticeably drunk and has brought herself another bottle of vodka. "My heart is aching. /Users/abgsaniya/Desktop/hqdefault.jpg. For example, Vanda(I think its her name) points at her head and say it is there. This can be seen when Watson is speaking to Toni about her addiction, something that Toni profusely denies she is. There are multiple narratives that composes the documentary surrounding each alcoholic; delving into their health, issues and families through interviews and visual representations of their effects. In making Rain in my Heart I would need to film people with troubled psyches; people within which gremlins and monsters lurk producing psychological pain and miseries, miseries that often push them to self-harm. So with saying that, I was satisfied with the way that Watson handled his participants. Change), You are commenting using your Twitter account. I felt that he definitely uses their trust, but in a good way, he seemed to be a friend for most of them and wanted to change or improve their lives. I think it is not proper for observational documentary, Watson deliberately shows his audience of certain moments to lead them into a certain emotion, which i think might be too subjective. Nonetheless, I think that Paul Watsons work is justifiable and I do not consider him to be selfish. This for me over steps the boundaries of ethical filming. Also, I think he had a desire to understand his characters and the reasons of being whothey are. RAIN IN MY HEART BOWY Rock 1,125Shazams play full song Get up to 5 months free of Apple Music Share OVERVIEW LYRICS PLAY FULL SONG Connect with Apple Music. But all of these elements and attitudes of the filmmaker were performed in order to achieve a result of what alcoholism really is and of how serious and dangerous its consequences can be. This is just one example of the reaction that Watsons Rain in My Heart provoked; Not something that is watched and easily forgotten about. Yes it is a devastating subject matter and yes the emotions that should arise in audiences should be just as devastating. The film probably brought him a lot of attention (both positive and negative), which means hes profited from filming his subjects problems. I do not think Paul Watson exploited his subjects exposed their life, yes, but exploited I feel is perhaps a little harsh. However, this scene does give greatest insight in to why Vanda is an alcoholic, and given the nature of the documentary, this is a critical point that must be conveyed to the viewer to give most depth to the understanding of alcoholism. However, as an observational filmmaker, Watson has a certain obligation to the truth. Watson himself has said that he received criticism for not helping his subjects; this could be an argument of him exploiting his subjects. This however does not detract from the fact that I believe some of what Watson did, did push the boundaries on what is ethical and moral within a documentary. Rain In My Heart is a documentary that is observing four alcohol abusers Vanda, aged 43; Mark, 29; Nigel, 49 and Toni, 26 from the impoverished Medway towns of north Kent. Although this had a huge dramatic effect upon the viewer and it allowed the viewer to analyse the particular situation multiple times, I felt that Paul Watson was portraying them as if they were less in control of what they were saying, almost as if they were crazy. (http://www.theguardian.com/media/organgrinder/2006/nov/05/sheffielddocfestaredocument) It is important to understand that Watson is doing his job as a filmmaker and how this certainly does not make in inhumane to the situation. This is seen in the film when Watson is speaking to one of the patients, Vanda, one of the few who agreed to, as Watson describes it; let him intrude into filming their hell. Watson explains to Vanda, whilst she is still a patient in hospital, that when he comes to interview her again at her house he will not be able to help her, he will take a spectator approach. When researching the film I found a web page (which is a old BBC one). There is also the repetitive clip of when Vanda says her monsters are in her head. Once she confesses her heartbreaking childhood, Watson mentions that he will check with her tomorrow to see whether she still wants it to be put in [the final cut of the documentary]. Since 2016 we have been able to harvest 15 Bucks over the magical 200 inch mark, many eclipsing 215 inches and two bucks over 245 inches. It is also true that sometimes the person who was interviewed didnt feel very comfortable about what he or she was saying and probably wasnt aware at all of what it was being said. This was a devastating and emotional sequence for me. In the moment where Vanda passes out from over drinking, and we see Watson check her pulse, to me I felt as if he was concerned, he didnt sit back and observe her in a blackened out state, he checked on her, he was her responsibility at that moment. However, in my opinion, after he knocks over Vandas drink and clears it up for her, he says the phrase I had put so much money on you. Post Thanks / Like Thanks (Given) 0 Thanks (Received) 0 Likes (Given) 0 Likes (Received) 0 It is true that his documentary can be judged and considered as an observational one: the filmmaker lets the interviewee talk about his or her problems and express all his or her weaknesses. Overall, I do not feel that Paul Watson has exploited the subjects in his film. It follows 4 alcoholics from the hospital to their homes. Because I think it break the engagement of the audience. In Rain in my Heart she is living in a council flat. On his first admission to hospital, where we see him in the film, he was given a 50:50 chance of survival. To clarify, I dont think hes exploiting anyone in this film. And it is also a good example to discuss the ethical issues in the documentary. Rain In My Heart by Edgar Lee Masters There is a quiet in my heart Like on who rests from days of pain. Also just to confirm Gillingham is a pretty shitty place to grow up in, so the documentary comes across as very sincere. With that being said, I do feel that Paul W has exploited them to some extent. In this process, the audience can get more understanding about the characters and theme. I do not believe that Paul Watson was dealing with the accusations successfully, but I also do not believe that he was making this film completely selfishly. Overall were the subjects happy to be on film? The game uses a beautiful and funny graphics engine to make everything look. Even though there is not exact evidence of Kath saying this to Watson, I believe that if she had thought differently the scene would be cut out since it is such a dramatic and personal event. And I think shots show the photographer and the really things that Watson suffered rise the trustiness of this documentary. Tonis most exploitative scene, as I believe, is when she is shown unconscious a few days before her death. Voyeurism this is not. This in essence in the subject saying that they are feeling exploited by the filmmaker and the documentary project. An example could be when Vanda talks about the monsters in her head, one of the monsters being her abusive father, that pushed her into the terrifying world of self-harm. Watson creates this feeling in his editing, which makes his points and connections better but is never pleasant as an aesthetic experience. But I find he violated the rules of documentary as he did interfere with the subjects and pushed them to an extent that made them fall back. When he asks of her troubled past, he is very interrogative as he continues to ask until she is brought to tears by the discussion of her brothers death, but rather than stop, he pushes on. It is complicated to say if Paul Watsons techniques were successful in the making of the film, as there are arguments from both sides. In terms of consent, yes, the subjects were not in a stable state of mind to give fully informed consent, but I think Watson had to work with what he had. In my opinion, this exploited them as the repetition was giving them a personality that they do not possess and is therefore, a form of misrepresentation. One of the last images we see of Nicole is her hooked up to tubes fighting for her life. He pressed forward with the interview and filmming in the crual moment such as his subject vomitted and had a hard time with pain. He is exploiting Nigel as he was only continuing to cover the story because he thinks that he will benefit out of it, when the focus should really be concentrating on capturing the truth and reality of the situation, therefore I believe that Paul Watson was exploiting his subjects in this documentary. It would be exceedingly difficult to make a documentary on a difficult subject such as alcoholism without the use of a subjects personal hardship. 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